| Sound Check 2 Response Analyser
with Pink Noise 1/3 Octave Spectrum Analysis |
| The Sound Check 2 response analyser uses
individually recorded third octave bands on CD, which are
read by an integral sound pressure level meter calibrated
in 3dB steps from -15dB to +12dB, with a central amber 0dB
reference indication. The third octave bands are warbled
(modulated) to eliminate room standing waves which could
cause false readings, and the meter is averaged to provide
steadier readings at low frequencies. |
| Pink Noise Test Tones |
| Intended for equipment alignment and especially
designed for active speaker set up. |
| Sweep Tones |
| Intended for sweep response measurements
and useful for checking system resonances. |
| Sine and Square Wave Spot Frequencies |
| For recording and reproduction equipment
line-up, analysis and fault finding. The square wave spot
frequencies are also useful for bandwidth assessment and
loudspeaker phase and time alignment. |
| Vocal |
| These 4 tracks provide unprocessed voice
recordings as useful reference sources - the dry uncompressed
voices of Alan Parsons, tenor Luciano Pavarotti, soprano
Catherine Bott and rock singer Steve Overland. |
| Instrumental |
| This section contains closely miked instrumental
recordings without electronic processing such as limiting
or compression. The tracks are invaluable for assessing
the transient response and fidelity of audio equipment,
and for experimentation with effects units. |
| Music Tracks |
| This set of extracts from studio master
recordings was specially to assess the various
qualities of loudspeakers and sound equipment. |
| Sound Effects |
| These sound effects provide extreme tests
of dynamic and frequency range. |
| Utility Tracks |
| This series of useful tools - a left/right
channel indent (for multiple unit hook-ups), digital black
(for noise assessment), a tuning reference and a timescale
- are provided in three standard formats for checking timecode-based
equipment and striping code onto tapes. |
| Maximum Level Tone |
| Warning - this track is at the theoretical
maximum recording level, 0dB FS. This is a very loud tone
- use with caution. |