The Nightingale Music Library is available for licensing on a Needle-drop and Blanket basis.
For licensing rate & inquries please contact us at info@nightingalemusic.com (416) 221-2393
THRILLER, SUSPENSE & HORROR (Night 115)
Ghosts, goblins and frightful creatures haunt this epic CD. With many of the tracks featuring big orchestral scores (à la Danny Elfman & John Williams), these songs run the gamut of scary emotions and tense moments. Also included is the iconic horror church organ music (Phantom of the Opera-esque) as well as 10 additional tracks of scoring and underscoring elements.
Voices from beyond. Dark and foreboding soundscape. A vortex of eerie wind creates an atmosphere of deep space with an ominous unwanted presence. Reminiscent of Resident Evil, Alien or Pitch Black.
4-6
Nightmare Vision
2:14 :60 :30
Creepy Crawly. Discordant brass and screechy nail-biting strings bring fear and terror to mind. This track starts quiet and builds with big orchestral hits sure to make you jump! Think The Mummy, Sixth Sense, Mimic or 13 Ghosts. Great for trailers too!
7-9
Entry Of The Monsters
2:11 :60 :30
Good evening ladies & gentlemen! Orchestral and majestic traditional dance macabre with light-hearted graveyard tones reminiscent of 1950’s horror films. Sounds like it could be a theme from a TV show akin to Hitchcock, Addams Family or Beetlejuice. Perfect for a parody, campy horror theme or for Halloween.
10-12
Out Of The Dark
2:06 :60 :30
Where's Mummy? Heroic conquest of evil. Classic orchestral chase, battle and defeat reminiscent of Dragonslayer and The Omen. Ideal for sword-and-sorcery genre, similar to The Lord of the Rings or Tim Burton/Danny Elfman-style films. Epic
13-15
Dances With Ghosts
2:07 :60 :30
The spirits are calling. Ghostly and mysterious mix of orchestral and modern elements invite you into an other-worldly experience while a mystic & hauntingly seductive female voice entices over deep strings, dark brass swells, evil choirs and a somewhat modern ethnic beat. Ominous séance with ghostly or alien encounter, reminiscent of The Others or Communion.
16-18
Dark Alley
2:03 :60 :30
Lost and abandoned. Slow and deliberate. Methodical and devious. Orchestral with modern drum elements. Prevailing key words for this track would be; Loneliness, vacant, surreal, exploration, ominous, The Shining, spiritual, curious, frightening. sad & melancholic.
19-21
Fury
1:24 :60 :30
The battlefield is ready! Classic Hollywood orchestral chase & battle scene. Nice build with a big heroic fanfare and full choir and orchestra make this a great track reminiscent of John Williams.
22-24
Phantom At The Opera
1:38 :60 :30
The Devils Mass. Classic Horror with church pipe organ a la Phantom of the Opera. Full Gregorian-type choir & orchestra joins in at :52. Very dissonant and atonal in sections, but also with strong cadences. Builds to a big finale.
25-27
Abandoned Factory
2:14 :60 :30
It's coming! Ominous & disturbing industrial soundscape with door slams, footsteps and ghostly female vocals. Low voices and whispers evoke images of The Deep and The Abyss.
28-30
Evil Spirits
2:01 :60 :30
The Chase is on! Epic, Gothic chase music with full orchestra and choir a la Danny Elfman. Fast paced, gripping and very dynamic, this big-Hollywood thematic track will have you on the edge of your seat.
31-33
Hell's Horsemen
2:06 :60 :30
Attack & Aftermath. Horror/Fantasy. Orchestral action & suspense track featuring swelling orchestra, purposeful choir, fast string arpeggios and French Horns. Sense of urgency. Evil is prevailing with this track that sound like it could be straight out of Batman.
34-36
Hellscape
2:15 :60 :30
Cries from below. Low drones and industrial whispers open this hollow and evil soundscape. Sounds of shattering glass with far off moans and cries from the unknown. Ominous, as in Saw and The Ring.
37-39
It Is Coming
2:02 :60 :30
Go away! Distant evil lurks but is getting closer in this suspenseful orchestral track. There is a sense of stalking and then attacking. Unexpected big orchestral hits and discordant music creates a frenzied and grizzly climax as in The Shining, Pshyco, Hitchcock movies etc.
40-42
Nocturna
2:36 :60 :30
Tragedy befalls. Mournful, Introspective, sad and haunting. Full orchestra featuring French horns, violin, cello and Clarinet. Surveying the aftermath. Trying to make sense of tragedy. Reminiscent of The Lord of the Rings and Sixth Sense
43-46
Do I Scare You?
2:06 2:02 :60 :30
You don't scare me. Fun, jazzy tongue-in-cheek horror track with ad-lib vocals by a real vampire. Evokes visions of a haunted house. Think Vincent price and House of Frightenstein. Great for Halloween.
47
Not Alone
:57
Scoring Element/Underscore: Low & medium discordant string drones with slow movement. Suspenseful.
48
Eight-Legged Nightmare
:42
Scoring Element/Underscore: High-pitched schizo strings. Will make you think of creepy crawlies you can't get off you.
49
Carry The Coffin
:37
Scoring Element/Underscore: medium & low string drones create a mournful funeral-procession mood.
50
Graveyard
:42
Scoring Element/Underscore: Low strings create a feelings of sadness, searching, foreboding and tragedy.
51
First Contact
:29
Scoring Element/Underscore: Eerie electronic, mechanical and industrial soundscape. Hollow, cold and metallic.
52
Second Contact
:46
Scoring Element/Underscore: Low discordant industrial soundscape creates images of spaceships, aliens and darkness.
53
Third Contact
:46
Scoring Element/Underscore: Discordant industrial soundscape. The hollow sounds create an image of a mysterious space probe or discovery of an alien entity.
54
From The Abyss
:40
Scoring Element/Underscore: Scary soundscape with a low creature-like voice suggests an alien life form.
55
Beyond The Castle Walls
:30
Scoring Element/Underscore: Thematic orchestral element with haunting voices. Premonitions, suspense and vampires.
*Rights granted to the licensee include
the non-exclusive, world-wide rights for 99 years to synchronize the
music in any medium (including radio television and satellite programs
or commercials, theatrical releases, live or multimedia productions
etc.) in timed-relation with audio or audio visual productions in which
the Licensee is directly involved. The music may not be reproduced or
duplicated or sold on its own or for purpose of re-sale, renting, trading
or lending. The Licensee may however, charge a license fee to clients
using the music in productions for which the Licensee is also adding
other audio or visual elements. Other terms and conditions may apply.
For a copy of the one page license agreement email your request*
